Stealing from the gods the fire of passion and creativity to lighten our life is just the first step of the trip, not the destination. Passion and creativity are not our private property, not our very own toys. They are the sparks lighting the fire of a big tribal camp. Having talent and not cultivating it is a crime, but cultivating it without sharing its fruits with others may be even worse. In its highest form, the way of the warrior is that of the bodhisatva: putting one’s talent at the service of a superior destiny. Daniele Bolelli, On The Warrior’s Path
Lunchtime no-gi at Kirkland.
Some pummelling, some double leg setups. The double leg setups we were doing today…. 1)begin with feet square so as not to telegraph. 2)begin at very close range. 3) from pummel, make sure you trap or duck under opponent’s wrist on that side when you drop. 4)Step FAR in. I never step far enough. Foot should be between opponent’s feet and BEHIND them. 5)placement of the OTHER foot is eternally problematic for me. I tend to step *too* far forward with that one, and also too close to opponent. (See how I have exact opposite problems with each foot? Welcome to my world.) The hand placement, the upright back, and the head pressure I seemed to be doing (mostly) right this time (note this is about the eight millionth time Cindy has gone over this technique on a personal and intensive level with me).
Keylocks from front mount. I was corrected for failing to use the thumbless “monkey paw” grip. Also for not having the elbow close enough to the opponent’s head. When jumping from low grapevining front mount to high mount in the armpits, move more quickly. Pull the head off the mat to keep opponent from bridging.
If opponent joins hands to defend the keylock, go to kimura grip. I need to focus on keeping opponent’s arm folded firmly. S mount. Take the foot closest to opponent’s head and fold the shin back along hir back. Pull opponent’s head and shoulders into your lap. This rolls hir over your shin, which you can now use to pin hir arm. Opponent is now in a triangle, facing away from you, with hir head and shoulders in your lap. Choke way up to right under hir armpit- you do not want opponent’s ribs inside this triangle. Now you can let go of the kimura grip and grab your own ankle as you post on the mat with your other hand. Readjust the triangle so that your shin is shoved horizontally right under opponent’s chin. Now you have to scoot yourself all the way around hir head until you are lying on your side and can grab one of opponent’s legs.
This particular technique makes me very, very relieved that Dave is now usually the demo dummy. This one hurts. Badly. In all sorts of ways.
A few rolls- Dave, Cindy, a guy I don’t know. I wasn’t doing very well today in the sparring. Last night I had been marvelling that I felt competant in sparring, so I’m not surprised… it is common to have a “wow, I suck” day right after you start to feel like you might know what you are doing. BJJ likes to keep you humble that way.
Cindy also informed me that the bicep slicer that Prof Herbert showed us last night is illegal. Dang. I liked that trick. Herbert failed to mention that it is illegal. I’m really glad she told me that before I did it to somebody.
Chopped off all my hair today. Feeling kind of self conscious. With the long, long, red “mermaid hair”, that’s all everyone ever looks at. Now I feel like people might notice my body and clothes or something. It’s sure going to be nice to be able to do BJJ for a while without that spandex cap, though. And without having wet hair for three hours after the shower.